Being photogenic is the ability to figure well in photographs. Indeed, some people with an “ordinary” face appear as more beautiful in a picture. And the opposite is also true as some really beautiful people tend to lose their beauty in front of the lens.
What makes someone photogenic?
First, in order to define what makes someone photogenic, it is important to return to the notion of beauty.
Beauty is “the quality of being pleasing, especially to look at” without any semantic link with aesthetics. It is the quality of what is beautiful, of what is aesthetic, what approaches perfection. It is synonymous with delight and extreme rapture. It can refer to a man, an object or a landscape.
The eye of the photographer
The photographer should know how to perceive and use light. His eye is naturally attracted by the brilliance of a beauty according to his own sense of culture, taste and personality. A photogenic face can challenge you, just as a situation may reveal a subject.
The eye of the photographer is capable of highlighting the beauty of a face, a body.
You must quickly observe the model to find out what is the best angle.
And If you have a photogenic model who looks good from several angles, your work will then be easier! A photogenic face can also give you inspiration.
A creative encounter
Feeling at ease will help generating beautiful ideas, especially if the photographer’s imagination is stimulated. The opposite is also possible, you can photograph a “photogenic” model and not be stimulated because this very aesthetic face does not move you. You will have “beautiful” shots that do not reflect your work.
It is for this reason that photogenicity and beauty are subjective. Some photographers prefer the “atypical” beauties to the “classic” beauties preferred by others.
It is important to emphasize that a photogenic face can tend towards the non-photogenic if it is badly handled. A person can have photogenic qualities and get a disappointing picture if “the trigger” did not happen. I mean by “the trigger”, a successful communication between the model and the photographer (see previous article).
According to François Cheng ” Why speak of beauty if not to attempt to restore man to his best self?”
The writer explains that aesthetics can only achieve its true depths by letting itself be subverted by ethics. It is this ethics that brings us back to the relationship between beings, to the relationship in photography between the photographer and his model.